Szentirmai Tamás
57194107577
Publications - 2
URBAN TOPOGRAPHY
Publication Name: Metszet
Publication Date: 2025-01-01
Volume: 16
Issue: 4
Page Range: 18-23
Description:
EDP PROTUGAL OFFICE BUILDING, LISBON, PORTUGAL ARCHITECT: ALEJANDRO ARAVENA Located on the heterogeneous, redeveloping Tagus riverfront in Lisbon, the second phase of the EDP headquarters by Alejandro Aravena's firm, ELEMENTAL, presents a powerful exercise in civic and environmental responsibility. Standing in dialogue with the project's first phase by Aires Mateus, this new office building adopts the established perpendicular-to-the-river site plan but reinterprets it with a profound focus on the public realm. Manifesting a dual-character structure: a transparent, glazed facade houses the workspaces, while a heavy, monolithic concrete mass confronts the city, sculpted to function as a piece of urban topography. This robust, rock-like form, conceived as infrastructure akin to ancient city walls, defines a new sloping public space that invites the city's lively circulation inward and culminates in a cantilevered viewpoint over the river. The building’s massive concrete structure acts as a thermal mass for passive cooling, while the interiors contrast the stark exterior with warm use of wood. The project is thus a complex architectural statement that is both a sculptural object and an integrated piece of the urban fabric, designed to prioritize public life and social interaction.
Open Access: Yes
THE COLLECTOR'S HOUSE,| ALGARVE, PORTUGAL; ARCHITECTS: ATELIER DATA
Publication Name: Metszet
Publication Date: 2025-01-01
Volume: 16
Issue: 5
Page Range: 26-31
Description:
Portuguese architecture's contextualist engagement continues the legacy of the 1950s folk architecture survey (Inquérito), shifting from explicit regional-ism to a more abstract influence. A key example is Atelier Data's conversion of an 18th-century Franciscan chapel in Moncarapacho, Algarve, into a galle-ry. Honoring the building's sacred past using traditional materials (whitewash, terracotta) while introducing a massive three-flight ramp as the main inter-vention. This ramp dramatically extends the exhibition path, creating a new in-ternal landscape that contrasts with the dark-toned rear addition, showcasing a modern connection to place.
Open Access: Yes